KJ Hannah Greenberg

Hannah’s writing has been nominated four times for the Pushcart Prize in Literature, once for the Million Writers Award, and once for The Best of the Net. She has served as a National Endowment for the Humanities Summer Scholar, too. Hannah’s short story collections are: Can I be Rare, Too? (Bards & Sages Publishing, 2017), Friends and Rabid Hedgehogs (Bards & Sages, 2016), Cryptids (Bards & Sages Publishing, 2015), The Immediacy of Emotional Kerfuffles, 2nd ed. (Bards and Sages Publishing, 2015), and Don’t Pet the Sweaty Things, 2nd ed. (Bards and Sages Publishing, 2014). Her musical is Watercolors (Scotch & Soda Productions, 1979). Hannah’s nonfiction books are: Word Citizen: Uncommon Thoughts on Writing, Motherhood & Life in Jerusalem (Tailwinds Press, 2015), Jerusalem Sunrise (Imago Press, 2015), Oblivious to the Obvious: Wishfully Mindful Parenting (French Creek Press, 2010), and Conversations on Communication Ethics (Praeger, 1991). Hannah’s poetry books include: Mothers Ought to Utter Only Niceties (Unbound CONTENT, 2017, Forthcoming), A Grand Sociology Lesson (Lit Fest Press, 2016), Dancing with Hedgehogs, (Fowlpox Press, 2014), The Little Temple of My Sleeping Bag (Dancing Girl Press, 2014), and Citrus-Inspired Ceramics (Aldrich Press, 2013).

Available books

On Golden Limestone

In fifty essays, On Golden Limestone glimpses the Israeli people, their communication, their day-to-day goings on, and their momentous occasions. Living in Israel means embracing multiculturalism, joining in an array of lifecycle events, and easing up on relationship strictures. Although immigrants bring foreign particularities to this place of sand and sun, Israel pours an even greater depth of character into her newcomers. It remains important, in this unique quarter, to differentiate among: modes of gesturing, ways of bargaining, and avenues for seeking children’s spouses. Few geographies proffer enormity per parking tickets, dentists, or ethnic violence, concurrent with ascribing significance to aureate sunsets.

Rhetorical Candy

I used to harbor affection for all things blue and green. My world was one of ultramarine and cobalt, of viridian and cerulean. After making aliyah, I developed a new aesthetic. Now, umbers and siennas, cadmiums and ochres stir me. Where once woodlands and carpet-like valleys moved me to develop free verse or to reach for literal canvas, these days, sandy hilltops and burnt-looking wadis provoke me to write and to paint.

It is difficult to know whether I consciously changed to acclimate to my external surroundings or whether my external surroundings, without invitation from me, caused my metamorphosis. I dreamed of living in The Holy Land, but never thought that my desire would become actualized in my lifetime. I was a secular academic whose vision had been limited to two children and to tenure at some state university.

Dreams are for Coloring Books: Midlife’s Marvels

We often get bogged down with assumptions about what we ought to receive in our relationships with people and with G-d. In learning how to weave together needs of others with our own, and in learning how to accept, rather than to fight against, the measures that G-d gives us, we grow personally, parentally, and professionally. We become happier, too.

KJ Hannah Greenberg

Available books

On Golden Limestone

Rhetorical Candy

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